Please use this identifier to cite or link to this item:
http://dx.doi.org/10.25673/101801Full metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | Maltzahn, Nadia | - |
| dc.date.accessioned | 2023-04-11T12:22:06Z | - |
| dc.date.available | 2023-04-11T12:22:06Z | - |
| dc.date.issued | 2022 | - |
| dc.identifier.uri | https://opendata.uni-halle.de//handle/1981185920/103748 | - |
| dc.identifier.uri | http://dx.doi.org/10.25673/101801 | - |
| dc.description.abstract | The exhibition Beirut and the Golden Sixties: A Manifesto of Fragility highlights what the creator's argue is the fragility of the narrative around Beirut’s “Golden Age”, the period in the run up to Lebanon’s civil war. In this review, the exhibition genesis is traced and its display in Berlin’s Gropius Bau and MAC Lyon presented. A number of works are showcased to demonstrate how the curators construct the five sections that focus on place, body, form, politics and the Civil War. The review provides some contextualization for an exhibition of rich and diverse artworks and archival material that contain a multitude of stories. | eng |
| dc.description.sponsorship | Gefördert durch die Europäische Union (EU) im Rahmen von Horizon 2020, ERC-2019-STG, LAWHA, Grant agreement No. 850760 | - |
| dc.language.iso | eng | - |
| dc.rights.uri | http://rightsstatements.org/vocab/InC/1.0/ | - |
| dc.subject | Fragility | eng |
| dc.subject | long 60s | eng |
| dc.subject | Beirut | eng |
| dc.subject | Lyon Biennale | eng |
| dc.subject | commited art | eng |
| dc.subject | art for art's sake | eng |
| dc.subject.ddc | DDC::7** Künste und Unterhaltung::70* Künste | - |
| dc.subject.ddc | DDC::9** Geschichte und Geografie::95* Geschichte Asiens::953 Geschichte der arabischen Halbinsel und benachbarter Gebiete | - |
| dc.title | All is not Glitter : Review of “Beirut and the Golden Sixties: A Manifesto of Fragility” Berlin, Gropius-Bau, 25 March – 12 June 2022 Lyon, 14 September – 31 December 2022 | eng |
| dc.type | Article | - |
| dc.identifier.urn | urn:nbn:de:gbv:3:5-1981185920-1037483 | - |
| local.versionType | publishedVersion | - |
| local.bibliographicCitation.journaltitle | Regards | - |
| local.bibliographicCitation.volume | 28 | - |
| local.bibliographicCitation.pagestart | 177 | - |
| local.bibliographicCitation.pageend | 190 | - |
| local.bibliographicCitation.publishername | Institut d'études scéniques, audiovisuelles et cinématographiques | - |
| local.bibliographicCitation.publisherplace | Beirut | - |
| local.publisher.universityOrInstitution | Martin-Luther-Universität Halle-Wittenberg | - |
| local.subject.keywords | The exhibition Beirut and the Golden Sixties: A Manifesto of Fragility highlights what the creator's argue is the fragility of the narrative around Beirut’s “Golden Age”, the period in the run up to Lebanon’s civil war. In this review, the exhibition genesis is traced and its display in Berlin’s Gropius Bau and MAC Lyon presented. A number of works are showcased to demonstrate how the curators construct the five sections that focus on place, body, form, politics and the Civil War. The review provides some contextualization for an exhibition of rich and diverse artworks and archival material that contain a multitude of stories. | - |
| local.openaccess | true | - |
| dc.identifier.ppn | 1842009923 | - |
| local.bibliographicCitation.year | 2022 | - |
| cbs.sru.importDate | 2023-04-11T12:16:08Z | - |
| local.bibliographicCitation | Enthalten in Regards - Beyrouth : Institut d'études scéniques, audiovisuelles et cinématographiques, 2018 | - |
| local.accessrights.dnb | free | - |
| Appears in Collections: | Zweitveröffentlichungen | |
Files in This Item:
| File | Description | Size | Format | |
|---|---|---|---|---|
| von_Maltzahn_2022_Glitter_review.pdf | 5.64 MB | Adobe PDF |  View/Open |