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http://dx.doi.org/10.25673/92312
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DC Field | Value | Language |
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dc.contributor.author | Braune, Ines | - |
dc.date.accessioned | 2022-10-10T08:46:03Z | - |
dc.date.available | 2022-10-10T08:46:03Z | - |
dc.date.issued | 2021 | - |
dc.identifier.uri | https://opendata.uni-halle.de//handle/1981185920/94264 | - |
dc.identifier.uri | http://dx.doi.org/10.25673/92312 | - |
dc.description.abstract | Parkour today is a global subcultural scene that combines street withmedia practices. Parkour consists of a local moment, fundamentallyconcerned with the materiality of the street, and simultaneously of a globaldigital discourse, which involves millions of parkour actors. While thespatial knowledge requires a very close knowledge and tactile contact ofthe surface’s nature of space, the media representations seem to reflect anopposite image, namely the detachedness of space. In this chapter, I willaddress the question of space-making and spatial practices in Moroccoand the relation to parkour’s visual representations. | eng |
dc.language.iso | eng | - |
dc.rights.uri | https://creativecommons.org/licenses/by-nc-nd/3.0/ | - |
dc.subject.ddc | DDC::9** Geschichte und Geografie::91* Geografie, Reisen::916 Geografie Afrikas und Reisen in Afrika | - |
dc.title | Body-Space-Relation in Parkour : StreetPractices and Visual Representations | eng |
dc.type | Article | - |
dc.identifier.urn | urn:nbn:de:gbv:3:5-1981185920-942645 | - |
local.versionType | publishedVersion | - |
local.bibliographicCitation.journaltitle | Media and mapping practices in the Middle East and North Africa | - |
local.bibliographicCitation.pagestart | 175 | - |
local.bibliographicCitation.pageend | 199 | - |
local.bibliographicCitation.publishername | Amsterdam University Press | - |
local.bibliographicCitation.publisherplace | Amsterdam | - |
local.subject.keywords | Parkour today is a global subcultural scene that combines street withmedia practices. Parkour consists of a local moment, fundamentallyconcerned with the materiality of the street, and simultaneously of a globaldigital discourse, which involves millions of parkour actors. While thespatial knowledge requires a very close knowledge and tactile contact ofthe surface’s nature of space, the media representations seem to reflect anopposite image, namely the detachedness of space. In this chapter, I willaddress the question of space-making and spatial practices in Moroccoand the relation to parkour’s visual representations.$Leng | - |
local.openaccess | true | - |
dc.identifier.ppn | 1818323486 | - |
local.bibliographicCitation.year | 2021 | - |
cbs.sru.importDate | 2022-10-10T08:43:04Z | - |
local.bibliographicCitation | Enthalten in Media and mapping practices in the Middle East and North Africa - Amsterdam : Amsterdam University Press, 2021 | - |
local.accessrights.dnb | free | - |
Appears in Collections: | Zweitveröffentlichungen |
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File | Description | Size | Format | |
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braune_2019_Body-Space.pdf | 830.94 kB | Adobe PDF | ![]() View/Open |