Please use this identifier to cite or link to this item: http://dx.doi.org/10.25673/92312
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dc.contributor.authorBraune, Ines-
dc.date.accessioned2022-10-10T08:46:03Z-
dc.date.available2022-10-10T08:46:03Z-
dc.date.issued2021-
dc.identifier.urihttps://opendata.uni-halle.de//handle/1981185920/94264-
dc.identifier.urihttp://dx.doi.org/10.25673/92312-
dc.description.abstractParkour today is a global subcultural scene that combines street withmedia practices. Parkour consists of a local moment, fundamentallyconcerned with the materiality of the street, and simultaneously of a globaldigital discourse, which involves millions of parkour actors. While thespatial knowledge requires a very close knowledge and tactile contact ofthe surface’s nature of space, the media representations seem to reflect anopposite image, namely the detachedness of space. In this chapter, I willaddress the question of space-making and spatial practices in Moroccoand the relation to parkour’s visual representations.eng
dc.language.isoeng-
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/3.0/-
dc.subject.ddcDDC::9** Geschichte und Geografie::91* Geografie, Reisen::916 Geografie Afrikas und Reisen in Afrika-
dc.titleBody-Space-Relation in Parkour : StreetPractices and Visual Representationseng
dc.typeArticle-
dc.identifier.urnurn:nbn:de:gbv:3:5-1981185920-942645-
local.versionTypepublishedVersion-
local.bibliographicCitation.journaltitleMedia and mapping practices in the Middle East and North Africa-
local.bibliographicCitation.pagestart175-
local.bibliographicCitation.pageend199-
local.bibliographicCitation.publishernameAmsterdam University Press-
local.bibliographicCitation.publisherplaceAmsterdam-
local.subject.keywordsParkour today is a global subcultural scene that combines street withmedia practices. Parkour consists of a local moment, fundamentallyconcerned with the materiality of the street, and simultaneously of a globaldigital discourse, which involves millions of parkour actors. While thespatial knowledge requires a very close knowledge and tactile contact ofthe surface’s nature of space, the media representations seem to reflect anopposite image, namely the detachedness of space. In this chapter, I willaddress the question of space-making and spatial practices in Moroccoand the relation to parkour’s visual representations.$Leng-
local.openaccesstrue-
dc.identifier.ppn1818323486-
local.bibliographicCitation.year2021-
cbs.sru.importDate2022-10-10T08:43:04Z-
local.bibliographicCitationEnthalten in Media and mapping practices in the Middle East and North Africa - Amsterdam : Amsterdam University Press, 2021-
local.accessrights.dnbfree-
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